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paigeadelethompson/TV.json

Last active April 11, 2025 07:15
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EasyEffects preset for watching TV on a shitty viewsonic monitor
Raw
TV.json
{
"output": {
"blocklist": [],
"equalizer#0": {
"balance": 0.0,
"bypass": false,
"input-gain": 0.0,
"left": {
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"gain": -6.0,
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"slope": "x1",
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"width": 4.0
},
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},
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},
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}
}
}
@paigeadelethompson
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paigeadelethompson commented Apr 11, 2025 •
edited
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ViewSonic Monitor Speaker Optimization Preset

This EasyEffects preset is specifically designed to improve the audio quality of ViewSonic monitor speakers, addressing common issues like thin sound, boxy resonance, and lack of clarity. It's particularly optimized for YouTube content and other media playback.

Preset Overview

The preset employs a carefully balanced combination of equalization, compression, gating, stereo enhancement, and limiting to transform the limited monitor speakers into a much more pleasant listening experience. It specifically addresses the challenges of rear-firing speakers that can sound muffled due to reflections.

1. Equalizer (32 Bands)

The 32-band parametric EQ applies a custom frequency response curve with precise Q factors (4.65) for more targeted control:

  • Reduces low bass (20-100Hz, -6dB to -2dB)

    • Prevents distortion from frequencies the small speakers cannot reproduce
    • Reduces "bottoming out" of speaker drivers
    • Frees up headroom for more important frequencies

  • Boosts lower-mids (200-460Hz, +1dB to +2dB)

    • Adds warmth and body to the sound
    • Compensates for typical monitor speaker thinness
    • Improves male voice reproduction

  • Moderately shapes mids (570-879Hz, +1.5dB to +2dB)

    • Enhances presence without causing boxiness
    • Improves vocal clarity and intelligibility
    • Provides fullness without muddiness

  • Smoothly transitions upper-mids (1-2kHz, +1dB to 0dB)

    • Critical range for speech intelligibility
    • Balanced to avoid harshness while maintaining clarity

  • Creates precision notches for resonance control:

    • Deep targeted cut at 2.5-2.6kHz (-7.5dB) to eliminate the specific resonance frequency causing "room echo" effect
    • Moderate cut at 2.1kHz (-4.5dB) to reduce harshness
    • Gentle reduction at 3.2kHz (-1.0dB) to smooth transition
    • High-precision Q factor (4.65) enables surgical frequency targeting

  • Enhanced presence and clarity region (4-5kHz, +3.5dB to +4.0dB)

    • Significantly improves dialogue clarity in videos
    • Compensates for rear-firing speaker placement
    • Brings forward important speech consonants
    • Cuts through muffled sound caused by reflections

  • Carefully boosts high frequencies (6-7.6kHz, +3.5dB to +3dB)

    • Adds air and detail to the sound
    • Compensates for high-frequency roll-off in small speakers
    • Improves overall perceived audio quality

  • Gently tames highest frequencies (14-18kHz, -1dB to -2dB)

    • Reduces potential harshness and sibilance
    • Prevents listening fatigue during longer sessions

2. Limiter

The limiter provides essential protection and dynamic control:

  • Fast attack (3ms) - Catches transient peaks quickly without audible distortion
  • Quick release (5ms) - Fast recovery for transparent limiting on YouTube content
  • Threshold at -1.5dB - Prevents clipping while allowing dynamic range
  • 3ms lookahead - Anticipates and smoothly handles peaks before they occur
  • Herm Thin mode - Provides transparent limiting that preserves transients
  • Softclip enabled - Prevents harsh digital clipping, resulting in smoother sound

This configuration is particularly important for YouTube content with inconsistent audio levels between videos.

3. Multiband Compressor (7 Bands)

The multiband compressor applies different compression settings across the frequency spectrum:

  • Low frequencies (Band 0, <500Hz)

    • Moderate compression (3:1 ratio) with 2dB makeup gain
    • 10ms attack / 50ms release
    • Controls bass without pumping
    • High pass filtered sidechain (100Hz) to prevent bass from triggering excessive compression

  • Low-mids (Band 1, 500-1000Hz)

    • 3.5:1 ratio with 3dB makeup gain
    • 8ms attack / 40ms release
    • Adds consistency to fundamental vocal tones

  • Speech range (Bands 2-3, 1000-4000Hz)

    • Progressive ratios (3.5:1 to 4:1) with 4dB makeup gain
    • Fast attack times (5ms to 3ms)
    • Improves speech intelligibility
    • Makes dialogue more consistent in level

  • Upper frequencies (Bands 4-6, 4000Hz+)

    • Decreasing ratios (4:1 down to 2:1) with decreasing makeup gain
    • Preserves detail while controlling peaks
    • Prevents harshness in high frequencies

4. Multiband Gate

The multiband gate helps reduce background noise and resonance tails:

  • Progressively configured across 7 frequency bands
  • Higher thresholds in low frequencies (prevents rumble)
  • More gentle settings in speech frequencies (preserves natural sound)
  • Fast attack / slow release in bass (controls boomy resonance)
  • Moderate attack / release in mids (reduces echo without artifacts)
  • Fast attack / moderate release in highs (preserves detail)

This component is crucial for eliminating the "empty room" resonance that plagues small monitor speakers.

5. Stereo Tools

The stereo tools module enhances spatial perception for small, often mono-ish sounding monitor speakers:

  • Side Level boost (15%) - Enhances stereo information and creates a more immersive soundstage
  • Softclip enabled - Prevents distortion from stereo enhancement effects
  • Conservative settings - Avoids phase problems while still improving spatial perception

These settings ensure good mono compatibility while still enhancing the spatial experience for YouTube content.

Rear-Firing Speaker Optimization

This preset is specifically tuned to account for rear-firing speakers that reflect sound off walls or surfaces before reaching the listener:

  • Reduced mid-range boost to prevent boxy reflections
  • Deeper notch filtering with surgical precision (Q=4.65) for better control of resonant frequencies
  • Enhanced presence region (4-5kHz) to counteract muffled sound
  • Side-channel emphasis for improved spatial perception despite physical speaker limitations
  • Multiband compression that helps tame reflections without killing dynamics

Usage Tips

  • Start with moderate volume levels - The preset is designed to sound best at normal listening levels
  • Content-specific adjustments:
    • For dialogue-heavy content, the preset works exceptionally well as-is
    • For music with heavy bass, you might want to reduce the input gain slightly
    • For movies with dramatic dynamic range, the limiter is already optimized

Technical Details

This preset was created specifically for ViewSonic monitor speakers but may work well for other small monitor or laptop speakers with similar characteristics. The configuration targets common deficiencies in small, rear-firing speakers:

  • Limited frequency response
  • Cabinet resonances
  • Poor dynamic handling
  • Lack of stereo imaging
  • Mid-range boxiness and reflections
  • High-frequency harshness
  • Muffled sound due to rear-firing placement

The processing chain order (EQ → Multiband Compressor → Multiband Gate → Stereo Tools → Limiter) is specifically chosen to ensure optimal sound quality and processing efficiency.

Advanced EQ Implementation

The current implementation uses high-precision Q factors (4.65) for all EQ bands, which provides several benefits:

  • More targeted frequency control - Affects a narrower band of frequencies
  • Reduced phase interference - Minimizes unwanted interaction between adjacent bands
  • Cleaner sound - Achieves the desired tonal balance with less overall EQ
  • More natural transitions - Maintains coherence between frequency regions

This approach works particularly well for the problem frequencies in the 2-3kHz range, allowing for deep cuts that eliminate resonance without affecting the overall tonal balance.

@paigeadelethompson
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Audio Frequency Spectrum Guide

This guide explains the different frequency ranges in audio processing, their characteristics, and how they're treated in the ViewSonic monitor speaker optimization preset.

Frequency Ranges

Sub-bass (20-60Hz)

  • Characteristics: Felt more than heard, provides foundation and physical sensation
  • Instruments: Pipe organs, large drums, synthesizers, subwoofers
  • In ViewSonic preset: Heavily cut (-6dB to -5dB) to prevent distortion in small speakers
  • Notes: Small speakers physically cannot reproduce these frequencies well, and attempting to can cause distortion and driver excursion problems

Bass (60-250Hz)

  • Characteristics: Provides fundamental notes, rhythm, and power
  • Instruments: Bass guitar, kick drums, lower piano notes, tuba
  • In ViewSonic preset: Gradually increases from -4dB at 65Hz to +1.5dB at 240Hz
  • Notes: Careful management of this range prevents "boomy" or "muddy" sound in small speakers

Lower-midrange (250-500Hz)

  • Characteristics: Warmth, body, and fullness in sound
  • Instruments: Guitar fundamentals, lower vocals, snare drums, piano middle register
  • In ViewSonic preset: Moderate boost (+1.5dB to +2dB) for warmth and presence
  • Notes: This region adds "body" to sound but can create boxy resonance if overemphasized

Midrange (500-2kHz)

  • Characteristics: Human voice intelligibility, instrument definition
  • Instruments: Vocals, guitars, pianos, horns, most melodic instruments
  • In ViewSonic preset: Carefully shaped from +1.5dB at 570Hz to 0dB at 1.6kHz
  • Notes: The most sensitive region for human hearing; critical for speech intelligibility

Upper-midrange (2-4kHz)

  • Characteristics: Presence, detail, speech articulation, can cause harshness/resonance
  • Instruments: Vocal consonants, guitar attacks, snare crack, cymbal definition
  • In ViewSonic preset: Strategic cuts (-7.5dB at 2.6kHz, -1dB at 3.2kHz) to eliminate boxy resonance
  • Notes: Problematic region for small speakers; often produces "nasal" or "honky" sound qualities and "room echo" effect

Presence (4-6kHz)

  • Characteristics: Clarity, definition, speech intelligibility, "forward" sound
  • Instruments: Vocal clarity, cymbal attacks, acoustic guitar pick sounds
  • In ViewSonic preset: Enhanced (+3.5dB to +4.0dB) to improve dialogue clarity
  • Notes: Critical for dialogue intelligibility in movies and YouTube content

Brilliance/Air (6-20kHz)

  • Characteristics: Sparkle, air, openness, spatial cues
  • Instruments: Cymbals, tambourine, sibilance in vocals, string harmonics
  • In ViewSonic preset: Boosted from 6-9kHz (+3.5dB to +2dB), then gently reduced above 14kHz
  • Notes: Adds perceived "quality" and "detail" to audio, but can become harsh if overemphasized

Frequency-Related Audio Problems

Common Speaker Issues by Frequency Range

Boominess (100-250Hz)

  • Cause: Excessive bass, often from room corner placement or cabinet resonance
  • Solution: Slight reduction in this range, proper speaker placement

Boxiness/Muddiness (300-500Hz)

  • Cause: Cabinet resonance, poor speaker design, rear wall reflections
  • Solution: Careful management of lower midrange, avoid overemphasis

Nasality (500-1kHz)

  • Cause: Imbalance in midrange frequencies
  • Solution: Balanced frequency response with no excessive peaks

Honkiness/Horn-like sound (1-2kHz)

  • Cause: Peaks in this frequency range, common in small speakers
  • Solution: Flat or slightly recessed response in this range

Harshness (2-4kHz)

  • Cause: Resonance peaks, common in small speaker cabinets
  • Solution: Strategic notch filtering like the -7.5dB cut at 2.6kHz in our preset

Sibilance (5-8kHz)

  • Cause: Excessive energy in upper frequencies, poor content mastering
  • Solution: Careful management of boost in this region

Listening Fatigue (Above 8kHz)

  • Cause: Excessive treble energy over extended periods
  • Solution: Gentle roll-off in highest frequencies (-1dB to -2dB above 14kHz)

Using Frequency Knowledge for Troubleshooting

If your audio still has issues after applying the preset, consider these frequency-specific adjustments:

  • Still sounds boomy: Reduce 100-200Hz range slightly
  • Dialogue unclear: Slightly increase 4-5kHz range
  • Harsh or fatiguing: Reduce 6-8kHz slightly
  • Still has "room echo" effect: Deepen the cut at 2.6kHz or widen the Q factor slightly
  • Too thin sounding: Increase 200-400Hz range

Technical Implementation in Preset

The ViewSonic monitor speaker preset uses 32-band parametric EQ with precise Q factors (4.65) to surgically address each frequency region without causing unwanted interactions between bands. This high-precision approach allows for targeted frequency adjustments while maintaining overall tonal cohesion.

@paigeadelethompson
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Slightly improved

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}

@paigeadelethompson
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I made some slight adjustments to try to fix what I think sounds a little better, could you characterize this change? my thought is maybe you can see where my mind is going and make it even better

Looking at your adjustments, I notice a significant change in your EQ approach that shows excellent instincts:
Midrange Reduction (460Hz-1.1kHz)
You've applied progressive cuts: -0.08dB at 460Hz → -6.11dB at 1.1kHz
This creates a "scooped" midrange that removes boxiness and resonance
The 879Hz (-5.51dB) and 1091Hz (-6.11dB) cuts specifically target the frequencies that often sound muffled in rear-firing speakers
Upper-midrange Management
Smoother transition through 1.3kHz (-3.25dB) and 1.7kHz (-2.79dB)
Maintains the critical notch at 2.6kHz (-7.5dB) for resonance control
This approach preserves vocal clarity while eliminating the "cardboard box" sound quality
Your changes reveal a preference for:
More clarity in the high-end (maintaining the 4-5kHz boost)
Less nasal/honky midrange (reducing 700-1100Hz)
Maintaining the precision notching at the 2.6kHz problem frequency
This approach is perfect for rear-firing speakers that tend to have a forward, boxy midrange due to reflections. Would you like me to refine this further by making similar but more precise adjustments to complete what you've started?
sure :)

I'll refine your EQ curve to perfect what you've started:
I've refined your EQ curve based on your adjustments, perfecting the "scooped midrange" approach you started. Here are the key improvements:
More defined midrange scoop
Smoothed the transition from warmth (300Hz) to cuts
Deepened the most problematic frequencies (879Hz to 1.1kHz)
Created a more coherent dip that eliminates boxiness without losing vocal definition
Enhanced precision in problem frequencies
Slightly deeper cuts at 2.1kHz (-5.0dB) and 2.6kHz (-8.0dB)
More controlled transition at 3.2kHz (-2.0dB)
This eliminates the "room echo" effect more effectively
Boosted clarity frequencies
Increased the presence region (4kHz to 5kHz) by +0.5dB
Enhanced the detail region at 6.1kHz by +0.5dB
This compensates for the deeper midrange cuts and improves dialogue clarity
Improved stereo enhancement
Increased side-level from 15% to 20% for better spatial perception
This helps create a more immersive experience while maintaining the central focus
I've also updated the frequencies.md document with a new section on the "Scooped Midrange Approach" that explains this technique and its benefits for rear-firing speakers.
Your original changes showed excellent intuition - reducing the boxy midrange while keeping clarity in the higher frequencies is exactly the right approach for these speakers!
should any changes be made to the compresor, gate or limiter ?

Looking at your current dynamic processing settings, I think we can make a few complementary adjustments to match your new EQ curve:
I've made several strategic adjustments to the dynamics processors to perfectly complement your scooped midrange EQ curve:

  1. Multiband Compressor Refinements:
    Bass region (Band 0): Lower threshold (-18dB) with slightly higher makeup (2.5dB) to ensure bass remains solid but controlled
    Midrange bands (1-3): Rebalanced thresholds and ratios to work with your EQ scoop:
    Higher threshold in band 2 (-16dB) allows more natural dynamics in the deeply cut 1kHz region
    Gentler compression ratio (3:1) in the problematic 1-2kHz range preserves naturalness
    Less makeup gain (3dB) in band 2 to maintain the scoop effect
    Band 3 (2-4kHz) now uses more moderate compression (3.5:1) to smooth the notched area
    Presence region (Band 4): Boosted makeup gain (3.5dB) to enhance the clarity region
  2. Multiband Gate Adjustments:
    Less aggressive gating in the midrange (bands 2-3)
    Higher thresholds (-18dB and -16dB) let more natural sound through
    Reduced reduction amounts (-6dB and -5dB) for gentler effect
    This complements your EQ scoop by allowing more natural decay in the voice frequencies
  3. Limiter Changes:
    Slightly lower threshold (-2.0dB vs -1.5dB) for more headroom
    Medium release time (8ms) balances protection with transparency
    This works better with your scooped EQ curve by preventing the boosted presence region from causing distortion
    These dynamic processing changes are designed to:
    Maintain the character of your scooped midrange approach
    Add consistency to the frequency balance
    Allow more natural dynamics in the deeply cut areas
    Reinforce the clarity in the presence region
    I've also updated the frequencies.md document with a detailed explanation of these changes and how they complement your EQ curve. The dynamic processors now work in harmony with your EQ settings, enhancing their benefits while minimizing potential downsides.

@paigeadelethompson
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paigeadelethompson commented Apr 11, 2025 •
edited
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final

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            },
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                "sidechain-custom-lowcut-filter": false,
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                "stereo-split-source": "Left/Right"
            },
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                "sidechain-custom-highcut-filter": false,
                "sidechain-custom-lowcut-filter": false,
                "sidechain-highcut-frequency": 20000.0,
                "sidechain-lookahead": 0.0,
                "sidechain-lowcut-frequency": 16000.0,
                "sidechain-mode": "RMS",
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                "sidechain-source": "Middle",
                "solo": false,
                "split-frequency": 16000.0,
                "stereo-split-source": "Left/Right"
            },
            "bypass": false,
            "dry": -100.0,
            "envelope-boost": "None",
            "gate-mode": "Modern",
            "input-gain": 0.0,
            "output-gain": 0.0,
            "stereo-split": false,
            "wet": 0.0
        },
        "plugins_order": [
            "equalizer#0",
            "multiband_compressor#0",
            "multiband_gate#0",
            "stereo_tools#0",
            "speex#0",
            "limiter#0"
        ],
        "speex#0": {
            "bypass": true,
            "enable-agc": false,
            "enable-denoise": true,
            "enable-dereverb": false,
            "input-gain": 0.0,
            "noise-suppression": -30,
            "output-gain": 0.0,
            "vad": {
                "enable": false,
                "probability-continue": 90,
                "probability-start": 95
            }
        },
        "stereo_tools#0": {
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            "balance-out": 0.0,
            "bypass": false,
            "delay": 0.0,
            "input-gain": 0.0,
            "middle-level": 0.0,
            "middle-panorama": 0.0,
            "mode": "LR > LR (Stereo Default)",
            "mutel": false,
            "muter": false,
            "output-gain": 0.0,
            "phasel": false,
            "phaser": false,
            "sc-level": 1.0,
            "side-balance": 0.0,
            "side-level": 20.0,
            "softclip": true,
            "stereo-base": 0.0,
            "stereo-phase": 0.0
        }
    }
}

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